The real Larry Summers called the film’s portrayal of his meeting with the Winkelvoss twins “fairly accurate”. He went on to say “I’ve heard it said that I can be arrogant. If that’s true, I surely was on that occasion. One of the things you learn as a college president is that if an undergraduate is wearing a tie and jacket on Thursday afternoon at three o’clock, there are two possibilities. One is that they’re looking for a job and have an interview; the other is that they are an asshole. This was the latter case. Rarely, have I encountered such swagger, and I tried to respond in kind.”
- Trivia from The Social Network IMDB
Happy birthday, Harry Potter!
To celebrate Harry’s birthday (and my undying love for the series), I made my own covers! I created patterns (Thanks for the inspiration Scandinavia!) using a significant object from each book. I used those in the movies as reference and digitally painted them. You can view the whole project here! :)
(It’s already July 31 here in the Philippines. Haha.)
A Kiss Goodbye ft. Charlotte Gainsbourg, Dev Hynes and Sampha
Jimmy Fallon & Amy Poehler @ 2014 Emmys
The theaters of the future will be bigger and more beautiful than ever before. They will employ expensive presentation formats that cannot be accessed or reproduced in the home (such as, ironically, film prints). And they will still enjoy exclusivity, as studios relearn the tremendous economic value of the staggered release of their products.
The projects that most obviously lend themselves to such distinctions are spectacles. But if history is any guide, all genres, all budgets will follow. Because the cinema of the future will depend not just on grander presentation, but on the emergence of filmmakers inventive enough to command the focused attention of a crowd for hours.
These new voices will emerge just as we despair that there is nothing left to be discovered. As in the early ’90s, when years of bad multiplexing had soured the public on movies, and a young director named Quentin Tarantino ripped through theaters with a profound sense of cinema’s past and an instinct for reclaiming cinema’s rightful place at the head of popular culture.
Never before has a system so willingly embraced the radical teardown of its own formal standards. But no standards means no rules. Whether photochemical or video-based, a film can now look or sound like anything.
It’s unthinkable that extraordinary new work won’t emerge from such an open structure. That’s the part I can’t wait for.
Christopher Nolan, “Films of the Future Will Still Draw People to Theaters”. (via fuckyeahdirectors)